The article explores how Mughal emperors like Jahangir and Akbar used textiles as tools for political messaging, diplomacy, and cultural synthesis.Clothing items such as the Nadiri hunting coat, which blended Persian, Chinese, and European designs, were crafted to symbolize imperial power and exclusivity.Gifts like pashmina shawls carried dual meanings—expressing alliance while subtly enforcing loyalty.The Mughal court's textile economy thrived under Akbar, who promoted cotton-silk blends to balance Islamic modesty with regality.
Artworks like the painting of Jahangir embracing Shah Abbas highlight complex relationships with Safavid Iran, where clothing symbolized both rivalry and mutual respect.Decline under Aurangzeb led to artisans dispersing across regional hubs, spreading Mughal techniques while adapting them locally.
Today, garments like the anarkali and churidaar retain echoes of this pluralistic courtly legacy, reflecting a history of syncretism in Indian subcontinent politics.
Original title: How Mughal emperors embraced a syncretic sartorial sensibility
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